Abstraction

 Ophelia by Gregory Crewdson is a photograph dealing with the subject of William Shakespeare’s story Hamlet. Ophelia is a character in Shakespeare’s play who is distraught after losing her father Polonius and as a result of her grief commits suicide by drowning herself in a river. Ophelia is the victim of manipulation throughout the play, and her madness is the result of this control. Hamlet too has a feigned madness in the play, which is supposedly being brought about by his love for Ophelia.

Crewdson’s photo takes Ophelia out of context of an outdoor river scene and places her in an interior setting of a suburban home. Various artifacts of home life are scattered throughout the house, but the most visually striking element is the foot or so of water flooding the interior, with a pale body floating at the center. The waterline almost breaks the picture into two planes, and the lower half of the photo gives an interesting reflection of the upper half. The reflections of light have a disconcerting quality to them, from the window reflections which cast a late dawn after the storm kind of quality, to the small candle shaped sconce, or the most disturbing light of the floor lamp still casting its light even though the plug is below the waterline. The diagonals of the staircase are an effective visual element to bring your eye back to the body, as does the curvature of the sofa back leading directly to the face of the figure. I particularly like the small highlight on the center framed picture above the staircase, it has the appearance of a father figure with grey hair and seems a fitting detail perhaps representing Polonius. Other details that grabbed my attention were the small pill bottle and glass of water at the edge of the coffee table, and the two slippers on different steps towards the bottom of the staircase.

Crewdson supposedly leaves no detail to chance in his carefully staged photos, and when viewing this photo it shows. His ability to portray the banal and give it a hauntingly beautiful quality is a skill that truly takes an artistic eye and elevates his photos to a realm beyond the ordinary.

Narrative

Humans of UTSA

What do you want to do after you graduate? "I just want to travel. I've lived in San Antonio for five years and I really like it here, but I don't like to be in one place for very long. I'm looking forward to visiting other places and seeing what's out there".

Do you have a happiest memory you can share? "I don't want to think that I've got one happiest memory. I have a collection of many happy memories but don't want to isolate one as the happiest, because it might cheapen the others".

Do you have a happy memory from your childhood? "Probably when I was a freshman in high school and played soccer. They were giving out awards for the year and I got the MVP award. I think that stands out because it was totally unexpected".

Do you have a happy childhood memory? "When I was 13 and my mother took my brother and I to a Weezer concert in Austin".

Does anything stand out as an event from your childhood that you feel changed your life? "When I was 16 I traveled to Belgium, and it was an amazing experience".

Color critique

Crystal Martinez's photos were overall very successful. She did a good job of cropping her photos to emphasize the areas of interest. There was variety to her shots with the color emphasis being in the foreground, mid and background on different photos. Good color reinforcement as well, where she had her pop of color , she either had the same color show up, moving your eye throughout the photo, or a complimentary color to provide some contrast.

Johnathan Salas had a good variety of photos that had a playfullness about them. His first photo was a good choice and I think the best of the five. Great complimentary color between the truck and the brick in the background, with some heavily shadowed areas that keep your eyes moving throughout the photo. Overall successful five shots with my only critique being that he could have cropped a couple of perimeter items for a more successful composition.

Color

Curved Lines
Shutter speed: 1/15, Aperture: f/8, ISO 400

Frame in frame
Shutter speed: 1/125, Aperture: f/19, ISO 400

Movement
Shutter speed: 1/8, Aperture: f/6.7, ISO 400

Shape
Shutter speed: 1/180, Aperture: f/13, ISO 400

Diagonal Lines
Shutter speed: 1/20, Aperture: f/8, ISO 400

Converging Lines
Shutter speed: 1/30, Aperture: f/6.7, ISO 400

Closed Frame

Shutter speed: 1/30, Aperture: f/8, ISO 200

Horizontal Format
Shutter speed 1/125: Aperture f/5.6: ISO 400

Asymmetrical Balance
Shutter speed 1/125: Aperture f/4.5: ISO 400

Composition exercise

Alternate point of view
Shutter speed: 1/30 sec, Aperture: f/8, ISO 400